Comrades - Almost a Love Story

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Comrades - Almost a Love Story Review

Simply put, this film is one of the greatest films about love and fate. Sensitive, complicated and truthful. It has stirred the deepest layer of my soul. What makes love interesting is that love in real life is invariably tangled up with everything else, ambitions, earthly pursuits, spituality, friendship etc. The two main characters came to Hong Kong for a better future, for themselves and their loved ones. There are lots of obstacles on the way. Like most immigrants, they have no support system, nothing to fall back on. What they face is prejudice. Everything they achieve is through their own determination and hard work. It is under such circumstances that Li Qiao and Li Xiao Jun(btw, their last names, Li, though sounds the same in English, are different in Chinese) are thrown together by fate and falls in love. But they are each presented with his/her own dilemma: Li Xiao Jun has a girlfriend at home. Li Qiao spares no effort at passing herself off as a native Hong Kongese (or Hong Konger? whatever), to be rid of her past in the mainland as much as possible. Having a boyfriend from the mainland would seriously undermine her scheme. In the beginning, she was even ashamed to speak Mandarin, although she was fluent in it. She constantly reminds herself what she is here for, she wants to be rich. She is shamelessly superficial. Or is she? That's the real success of the film. Despite her efforts, she cannot keep her loving, caring nature hidden. Through many trials and tribulations, they demonstrate one thing that is deeply ingrained in the Chinese view of life: what belongs to you in fate will be yours eventually. Maggie Cheung Man-Yu's performence as Li Qiao is nothing short of greatness. She gives her character so much depth that I have to look among the greatest performences in history (such as The Seven Samurai, Jean de Florette or To Live) to find performences so affecting, and so alive. I'll give two examples here. The first is when Li Xiao Jun buys two identical gold chains, one for his girlfriend, one for Li Qiao. Li Qiao stares at him with a totally blank face for quite a few seconds. No words exchanged. Later she complains that he shouldn't have bought the same gift for two women. But let's back up a second. Her expression at the moment was everything but blame. You can tell she was confused, trying to figure out Li Xiao Jun's real feelings, and perhaps trying to supress her own feeling of love and gratitude (keep in mind that Li Xiao Jun was basically her only friend in HK at the moment). So I suspect her later reaction was secondary, perhaps an excuse or even shammed. Her real feeling was that she was moved, if not more. My second example is when she is called in to identify the body of Pao Ge (big brother Pao). When the body is turned over for her to see (the Mickey Mouse tattoo), her expression is unexpected, totally astounding. She begins by a nervous, unsure grin, and it soon merges into a heart-felt, silent weep. Cheugn Man-Yu clearly gives the audience the idea that the character's feelings, whatever they are, are so complex that they are beyond words. Right there, is what I call the greatest few seconds in Chinese film history. The film is worth seeing for that scene alone. LI Qiao's love affairs are complicated. She tries hard to avoid mainlanders. But the ones she get herself involved with are both mainlanders (Pao Ge, coming from Hunan, is even a rung lower than Li Xiao Jun who comes from Wuxi, in the invisible social ladder, formed in the minds of the majority of the snobbish Hong Kongese. I probably have run out of space to discuss her relationship with Pao Ge and more--the whole film has 5 different relationships in it. But people are constantly torn between the old and the new, the spiritual and the material. Finally another reason I love this film is that it is a tribute to the greatest pop singer in Chinese history, Teresa Teng (Deng Li Jun). The original Chinese title Tian Mi Mi (Sweet, Honey Sweet)is the title of the song repeated sung in this film. Whatever they say in the film, Teresa Teng's influence on the Chinese speaking world has been unsurpassed. She single-handedly lifted Chinese pop music to a higher level. She was more important to the Chinese pop music than Beatles to the Western pop music.Feel sorry for Western audiences, the one I watched, (don't know if it's the same as the one listed here), has a English subtitle and is often bad, misleading and selectively done. It misses much of the subtlty and humor. For example, when Li Xiao Jun calls her girlfriend, he says "I love you", she answers with soemthing to the effect of "you give me goose bumps" or "why so serious" (The Chinese do not use the word "love" nearly as much as Westerners), Li said it perhaps out of quilt(for his love affair with Li Qiao), perhaps is trying to show her that he is Westernized, perhaps both. It is a subtle point in the movie. And when Li Xiao Jun and Li Qiao first met in the MaDonald's, she tries to explain to him why he must learn Cantonese or English. It's a funny scene. Li Xiao Jun's Cantonese is not good enough to understand her and she is unwilling to use mandarin alone for fear of lowering herself in his eyes, so what she does is that she says one sentence in mandarin and the next in Cantonese, alternatively. Sorry, English Speakers. But in any case, if you have not seen this film, make it a priority of your life. Help other customers find the most helpful reviews� Was this review helpful to you? 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