Tuesday, October 11, 2011

JJ. Cale featuring Leon Russell - In Session at the Paradise Studios, L.A. 1979

JJ. Cale featuring Leon Russell - In Session at the Paradise Studios, L.A. 1979

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JJ. Cale featuring Leon Russell - In Session at the Paradise Studios, L.A. 1979 Review

If you like the music of J.J. Cale and you enjoy Leon Russell's unique take on any music he plays, you'll really take to this effort. It basically is like sitting in on a final practice for a studio recording. The band is arrayed in a small circle in Leon Russell's Paradise Studios. Lots of closeups, no crowd noise, pristine clear sound quality... very defined and nuanced... nice.

Mr. Russell mostly plays a Hammond B-3 and if you've ever listened to most of J.J. Cale's catalog, you'll know that this instrument is right at home in the instrument mix he chooses for his songs. It adds a distinctly Bluesy element to the sound signature whenever Leon stretches a little bit on a solo.

There's one guy, Cale's keyboard player, who doesn't sound quite "on" to me. I've only watched the DVD a couple times, so maybe he'll grow on me with time. The guy IS wearing roller skates, so that might tell you something. The second time through, he sounded better... more "on" than the first time through. The other players are all solid across the board. (Note: these people are still the band that Cale tours with today)

There is the occasional clunked note in this session and it's fun to see the reactions go through the band. These people have an easy, comfortable feel with each other and it's great to see.

For you guitar nuts, J.J. flips over this old Harmony guitar that he's "worked over" and it is enlightening to say the least. It's the guitar that provides Cale's signature sound on his early albums especially "Naturally" and you will be stunned when you see what he's done to it. I'll say no more as I wouldn't want to spoil the surprise. Let's just say 'not as originally built.' He also uses a Strat on a number of tunes and you get to see him play slide on several songs as well.

One thing I particularly liked about this disc is you get to see his hands at work close up. Good guitar players will tell you most of the cool sounds are in the player's hands - not the guitar, not the amp, not the strings, not the pickups. This disc demonstrates that like no other one I've found.

I wasn't quite sure what to expect when I bought it, but I was way more than pleasantly surprised. Let's hope you are, too.

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